Of
course, Command Post still provides linear editing control with an exceptional AB roll
machine control capability, and an outstanding music production support system. Few
other post rooms are so broadly equipped to handle any audio challenge.Command Post is a small, powerful studio that provides soundtrack design, mixing with moving faders, and music, on a par with the finest post production facilities.
Of
course, Command Post still provides linear editing control with an exceptional AB roll
machine control capability, and an outstanding music production support system. Few
other post rooms are so broadly equipped to handle any audio challenge.
Non-linear audio at Command Post is something
special. We will slip sync or replicate any portion of any track; time compress/expand and
pitch change any material; denoise, flip, stretch, crunch, equalize, or normalize any
syllable or phrase with the precision of an electron microscope. Mixes and submixes are
controlled under two layers of moving fader automation, and six bands of programmable eq,
so you review your mix and make global or microscopic changes easily.
We specialize in dealing with tough post-sync problems, too, whether it's a SECAM telecine that runs 4.035 percent too fast for your NTSC track, your location mixer uses the wrong timecode, a bad negative cut, or other exotic problems with your timecode or your sound. We will autoconform production sound tapes using a list from Lightworks, AVID, or DVision systems. We also now offer AVID file compatibility.
A large library of sound effects will be auditioned and dropped into the timeline from our optical disk library, or from 5 libraries of over 30,000 sound effects. Every footstep surface, shoe type, and step type is at your immediate disposal to provide fast, accurate, electronic foley. (Performed in house by our editor who happens to be the Artur Rubenstein of footsteps.) Any sound that doesn't exist in the library will be created to your needs. M&E soundtracks for foreign release are a staple of our working diet. Foley and ADR recording and editing are done in house. Finished soundtracks will be mixed and prepared for release print or laid back to video masters, in Dolby Stereo, Dolby Digital, conventional TV stereo, or other formats, per your requirements.